The square is 180cm x 180cm. I primed it and drew the underlying drawing in charcoal. U can see the wood I needed to saw off on the right hand side (also gives you an idea of the texture).
I used a very turps-ed down mix of oil paint to provide a ground for the painting
studio space
me working on my piece with George's piece of feet in front - studio
I deliberately made some areas more blocked in and graphic, juxtaposed with more washy, blended areas. I think this successfully added depth to the painting so it did not look too 2D and you could travel through the layers of the painting.
the final product - I had to change the orientation as the jaggedy edge from where I had sawn was better disguised when it was at the bottom of the piece. The line on the left is poly-filler - wood can be in terrible states when salvaged from the skip!!
The piece was too heavy to hang from the wall in the exhibition, but it looked like it had been forgotten about just resting on the floor - thankfully the venue had these wooden plinths to raise it off the ground