Graphite and charcoal on paper, approx 115cm x 100cm
Rosie Minney, 21 year old art student at Newcastle University. Former student at the Royal Drawing School. Writer for Corridor8. rosie.minney@btinternet.com @rosieminneyart
Friday, October 27, 2017
The Boys - large charcoal drawing
Inspired recently by Caravaggio, I took a photo on a whim of my brother and father in a darkened room and the flash illuminated the figures in a way which closely mimics the chiaroscuro of Caravaggio (although obviously nowhere near as good.) I decided to make a monochrome drawing, adding paper as I needed.
Graphite and charcoal on paper, approx 115cm x 100cm
Graphite and charcoal on paper, approx 115cm x 100cm
Friday, October 20, 2017
Corridor8 art reviews
Seeing as I am interested in pursuing a career in art critiquing for a magazine or online, I got involved in an art platform called Corridor8 which focuses on visual arts and writing in the north of England, which is perfect since I live and study in Newcastle!
Here are links to two reviews I have written so far this year.
Here are links to two reviews I have written so far this year.
Wednesday, October 18, 2017
summer sketchbook
I thought I would share some of my summer sketchbook work which I am using for this years project, where I will be looking at the human figure, portraiture, and people in places.
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| (left) collage and biro drawing, A4 (right) photograph, pencil and oil pastel drawing A4 |
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| (left) pencil and coloured pencil drawing A4 (right) finaliser drawing with sandwich bag collage, A4 |
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| pencil and coloured pencil drawings, all A4 |
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| (left) newspaper and biro drawing A4 (right) coloured pencil drawing A4 |
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| (left) fine liner drawing A5 (right) pencil and coloured pencil drawing A5 |
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| (left) David Hockney postcards (right) pencil drawings A4 |
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| (left) biro and chalk pastel drawing A4 (right) coloured pencil and oil pastel drawings A4 |
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| after Matisse, pencil, pastel and biro doodles, collage. Both A4 |
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| graphite and highlighter sketch, A5 |
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| (left) collage A4 (right) graphite sketch A4 |
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| (left) fine liner sketch A5 (right) pencil sketch A5 |
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| both pencil drawings A4 |
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| (left) pencil sketches A4 (right) charcoal and coloured pencil drawing A4 |
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| pencil life sketches both A5 |
Wednesday, July 26, 2017
Saturday, May 20, 2017
First year final piece! Leazes Park II
The piece I will be exhibiting in the end of First Year show is an enormous painting I did on a piece of wood I saved from a skip! Originally around 200cm x 180cm, I decided I wanted the piece square, which did cause issues - due to the fact the wood had previously been nailed together, I had to hand cut it with a jigsaw, so the line ended up slightly scruffy and splintered. The wood was also incredibly heavy, but the grain of it gave a lovely texture to the painting, and complemented the subject matter of trees perfectly.
The square is 180cm x 180cm. I primed it and drew the underlying drawing in charcoal. U can see the wood I needed to saw off on the right hand side (also gives you an idea of the texture).
I used a very turps-ed down mix of oil paint to provide a ground for the painting
studio space
me working on my piece with George's piece of feet in front - studio
I deliberately made some areas more blocked in and graphic, juxtaposed with more washy, blended areas. I think this successfully added depth to the painting so it did not look too 2D and you could travel through the layers of the painting.
the final product - I had to change the orientation as the jaggedy edge from where I had sawn was better disguised when it was at the bottom of the piece. The line on the left is poly-filler - wood can be in terrible states when salvaged from the skip!!
The piece was too heavy to hang from the wall in the exhibition, but it looked like it had been forgotten about just resting on the floor - thankfully the venue had these wooden plinths to raise it off the ground
Monday, May 1, 2017
commissioned painting 'Joyous Nude'


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| I often hold my painting up to look at it through a mirror. This can give me the illusion of fresh eyes; seeing it from a different perspective to see what can be done to improve it |
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