As I get more stuck into the project, following on from the Hockney-inspired photo collages http://rosieminney.blogspot.co.uk/2017/02/hockney-inspired-photo-manipulations.html, I was then interested in further combining the idea of technology and nature.
I am intrigued by how our generation is so de-sensitised by the Internet; how we can easily recognise anything, pixelated or not, because more likely than not we have seen it online. However, how much have we seen in real life? From this, I would like to culminate in an abstract painting, which vaguely resembles the natural world - we have to get up close to recognise even our own environment. | |
a sketchbook excerpt - a study of fragmentation I created using my photo collages. We know what it is, yet it does not look as it is meant to --> we are desensitised by the Internet as we regularly do not see things in real life
some mono prints based on photographs
 
I drew into the mono prints with oil pastel to bring colour and life into the experiments
    
I then began collaging some of my photographs together. I wanted to create something that from afar seemed recognisable, but one has to get up close to realise that everything is not what it seems - again, how we seemingly immediately recognise something we have not originally seen in person, over Internet. I then edited the colours on my iPhone to further bring into use the idea of technology
    
I then began collaging together my prints, my photographs, and my charcoal drawings. The idea here was to take original artwork, emphasise scale, and to bring in the use of technology to create one large collage which was made purely from print outs - no first source artwork. This is to represent how data and images are manipulated and spread through the Internet, whilst we remain oblivious to how things have been altered.
 
A close up, showing how the print can sometimes seamlessly blend into the photograph
|
No comments:
Post a Comment