Having studied to an extent the biomorphism of Henry Moore, I was inspired to work from the amorphous forms in my printmaking to create these quick visceral abstract maquettes. Whilst not my favourite works, they stand at maximum 30cm high and add an interesting 3 dimensional aspect to my body of work this term.
preparatory sketches working loosely from the forms in my printmaking
the internal structures are built from tinfoil and trusty papier mache
I covered the sculptures in magazine clippings, chosen carefully for their visceral colours, and abstracted further by vigorously brushing with white spirit
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